Actor Hong Seongwon Apologizes for Improvised Comment During Musical

Korean actor Hong Seongwon apologized after an improvised remark during a musical performance sparked backlash for its perceived sexist undertone.

Photo from Hong Seongwon's Instagram

A Controversial Ad-lib Sparks Backlash

During a preview performance of the musical “BURN THE WITCH” on September 20, actor Hong Seongwon stirred controversy with an unscripted line. While interacting with the audience, he quipped, “There’s a proverb that says, ‘If a hen crows, the household falls,’” suggesting a female audience member play a ‘hen’ role. The remark did not go over well in a show celebrated by a largely female fanbase, and it quickly drew criticism for echoing a sexist idiom.

Public Apology on Social Media

On September 22, Hong took to Instagram to issue a formal apology. “I sincerely apologize for the inappropriate comment I made during the preview performance,” he wrote. “I take full responsibility for disappointing my audience and colleagues, and I will be more cautious with my words in the future.”

The actor’s heartfelt tone comes as he faces mounting scrutiny from theatergoers and fans of the show, many of whom expressed disappointment online. Some defended the moment as a theatrical ad-lib, but many viewed it as outdated and tone-deaf—especially in a show centered on themes of female empowerment.

What Is “BURN THE WITCH” About?

The musical “BURN THE WITCH” reimagines historical witch trials through a modern feminist lens. It follows a stylish witch named Mama and her pet spider Blank as they encounter actress Love Stairway and other mysterious figures. With a predominantly female audience, the show explores the idea of whether women are destined to be hunted—or if they can rise and reclaim the fire. In that context, an old Korean saying that silences women comes across as particularly jarring.

Who Is Hong Seongwon?

Hong Seongwon made his musical debut in 2019 with “Excalibur” and has since appeared in a range of stage shows and dramas. Most recently, he gained recognition for his appearance in the hit series “Unknown Seoul” (also known in Japanese as “未知のソウル”), which gave him wider exposure beyond the theater scene.

Looking Ahead

This moment is a wake-up call not just for Hong, but for live performers navigating how to balance spontaneity with social sensitivity. As one fan commented online, “We love ad-libs—but not at the expense of someone’s dignity.” Only time will tell if he can rebuild trust with his audience, but for now, the spotlight is shining a bit more critically.

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