IVE Leads March 2025 Singer Brand Reputation Rankings

IVE tops the brand reputation rankings for March 2025, followed by Lim Young-woong and BTS. The analysis, conducted by the Korea Corporate Reputation Research Institute, reflects consumer engagement, media coverage, and community discussions.

IVE Leads March 2025 Singer Brand Reputation Rankings

The Korea Corporate Reputation Research Institute has released its singer brand reputation rankings for March 2025, with IVE securing the top spot, followed by Lim Young-woong and BTS. The analysis, based on 101,738,657 data points collected between March 1 and March 22, assesses brand participation, media exposure, communication, and community engagement.

Compared to February’s data (103,173,389 points), there was a slight decrease of 1.39%. The reputation index serves as a measure of how frequently and in what manner consumers discuss an artist’s brand across different platforms.

According to the rankings, the top five artists are:
1. **IVE** (Ahn Yujin, Gaeul, Rei, Jang Wonyoung, Liz, Leeseo) – Brand reputation index: 7,520,606 (down 7.98% from February)
2. **Lim Young-woong** – Brand reputation index: 6,564,290 (down 3.16%)
3. **BTS** (RM, Jin, Suga, J-Hope, Jimin, V, Jungkook) – Brand reputation index: 6,523,106 (up 19.72%)
4. **BLACKPINK** (Jisoo, Jennie, Rosé, Lisa) – Brand reputation index: 4,702,577 (down 28.24%)
5. **SEVENTEEN** (S.Coups, Jeonghan, Joshua, Jun, Hoshi, Wonwoo, Woozi, The8, Mingyu, DK, Seungkwan, Vernon, Dino) – Brand reputation index: 3,801,918 (up 16.70%)

The institute’s director, Koo Chang-hwan, noted that IVE’s strong presence secured them the top position, while Lim Young-woong’s dedicated fanbase maintained his credibility. BTS experienced a boost in anticipation of their full-group activities, while BLACKPINK saw a decrease despite their ongoing projects. SEVENTEEN, preparing for a hiatus due to military service, displayed notable engagement with their fan base, Carat.

This ranking provides valuable insights into consumer perception and market trends, emphasizing the dynamic nature of K-pop’s influence.

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